Workable Fatigue
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Mirroribis Versus Kinkos, Denver, 1996.
Mirroribis Versus Kinkos, Denver, 1996. (Nineties Post-Punk Zine/Pre-digital art) I was 25 at the time, and living in Denver with my then-girlfriend (and now wife) Heather Marx. In my spare alone time, between exploring 1990 Denver's myriad old used book and record stores and poring over ancient, out-of-print Dadaist texts, I made art and music, just like now. I was intent to make art and express my self to a neurotic degree (still am), but I had no real technical art skills beyond high school and my experience working in print/copy shops. In 1996, digital art was just starting. Unless you had an inside, or Megabucks, you couldn't get access to the computers and programs for digital art. So I experimented. I used weird materials that weren't supposed to go in the machines, running them through multiple times with multiple images, hard-stopping the machines in mid run and altering the toner before it was fused. Color copying wasn't quite right y...
Soul-Shards Douglas Hofstadter ONE gloomy day in early 1991, a couple of months after my father died, I was standing in the kitchen of my parents' house, and my mother, looking at a sweet and touching photograph of my father taken perhaps fifteen years earlier, said to me, with a note of despair, “What meaning does that photograph have?” "None at all. It's just a flat piece of paper with dark spots on it here and there. It's useless." The bleakness of my mother's grief-drenched remark set my head spinning because I knew instinctively that I disagreed with her, but I did not quite know how to express to her the way l felt the photograph should be considered. After a few minutes of emotional pondering - soul-searching, quite literally - I hit upon an analogy that I felt could convey to my mother my point of view, and which I hoped might lend her at least a tiny degree of consolation. What I said to her was along the following ...
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